Friday, 30 January 2015
Paisley singer songwriter Michael Cassidy has been a long term favourite here at Scottish Fiction. He was my first ever live guest on the radio show, the headliner of our first ever Scottish Fiction Presents gig, and more importantly he has been a crafter of wonderfully rich and captivating music for the last few years.
Which is why it is an absolute delight to be able to bring you an exclusive first listen to his long awaited debut album My Electric Heart. An album which brings together many of Michael's well known songs, combining his award winning song-writing with the warming sounds of his band.
As well as being able to stream the album in full ahead of it's official release on Monday 2nd February 2015, Michael kindly put pen to paper to give us a little insight about each of the tracks on the album. The album will be available to buy directly from at gigs in Edinburgh (30th January, Artisan Roast) and Glasgow (31st January, The Griffin) and you can get tickets here.
1) Running Water
An upbeat poppy number about drunken stumbles home. This is a fun song to play live and we usually open gigs with it so it had to go first on the album.
Battleships deals with heartache and longing that could be considered in a negative light but I've decided to put a positive, and more hopeful, spin on things. I feel the song has a really uplifting message in it which comes through whenever I sing it and it is definitely one of my favourites from the album to play.
3) 15 Years
This track is my latest single to coincide with the release of the album and I also shot a video in and around Glasgow, showing of some of its most famous sites. The video will be put up online a couple of days before the album launch. The lyrics are basically about me asking myself the question how long would I wait for someone who has rejected me, and instead of responding that I would wait 'forever', like quite a lot of other songs, I thought I would put an exact value on it! And I guess the answer is 15 years haha! This is big foot stomper though and I always close my set with it, which always seems to be well received by the crowd.
4) The Men Who Stood Beside Me in the War
This short song was written after reading about the experiences of a group of soldiers in war. I've written the lyrics from the perspective of an old soldier thinking back to the comrades he lost and their different experiences. I am really very fond of this song and the simplicity of it. It's also the song that won me the inaugural Gerry Rafferty songwriting prize, which is undoubtedly my biggest achievement to date.
5) Real Love
Real Love is a really upbeat song that has been described to me as a Glasgow fairytale, which made me laugh. The title of it is tongue in cheek as it's really a song about a fleeting one night drunken romance and the different feelings that at the time might feel like 'real love' but are different when you wake up. These are universal feelings that I know a lot of people can connect with. The track is basically a song about being single, going out, and enjoying yourself.
6) Breath on my Window
A more serious ballad, which is about loss, and the questions you ask yourself in the aftermath of that event. This song was definitely an important one for me because it helped me address certain issues. I am really proud of the music and lyric in this song and I think they really complimented each other nicely, helping me get across what I was really trying to say, which is that things will be alright.
7) Dancing at the Devil's Door
A heavy rolling blues number, where the lyrics are about addressing a time in my life where I felt I was maybe going out and drinking a little too much. In the song I am questioning myself and the different choices I make. Musically, I love the guitar line that runs throughout the song.
8) My Electric Heart
This is the title track from the album and for me it sums up a constant theme running throughout the album. It's a story of falling for someone quickly and then changing your mind just as quickly. I remember writing the words to this after swimming in a lake in Vienna. I’m really proud of the outro section of this song and the strings.
9) Guy Fawkes
My attempt at condensing the story of Guy Fawkes into two long verses and keeping it factually accurate whilst still hummable! I like to think I achieved that and stayed factual! Maybe you could play it in schools! The track also has a canon at the end, which was fun to record and something I have always wanted to have in one of my songs.
10) The Gulf Between
This song deals with the difference between humans and animals and I always pictured the video to this would be me walking through Noah's ark but I'm not sure if I would have the budget to achieve that.
I wrote this song on Christmas day and it is a happy song about the start of a new relationship that brings with it a lot of joy but also reveals some darker sides. I would best describe it as a bittersweet love song because although although the lyrics are happy, they also are wary of the future.
12) Everybody's Scared
I owe a lot to Everybody's Scared as it's the first track of mine that was picked up by people It's a song about the ending of a relationship and the lyrics were written the day before I knew it was going to end. It's a pretty sad song, but does however still have an uplifting feel to it which is something I have been very interested in thematically; having upbeat songs with a sad subject matter.
Michael Cassidy - My Electric Heart is out on 2nd February via D Set Records and can be purchased via all good online music retailers or directly from Michael Cassidy's Bandcamp
Thursday, 29 January 2015
Ahead of the release of their eight album, Everything Ever Written, Scottish Fiction favourites Idlewild have joined forces with Edinburgh based Barney’s Beer to release a brand new craft beer called... Scottish Fiction!
Some readers may recall Barney's Beer as the brewer behind the Beer vs Records Record Store Day release with Song, By Toad Records, so this is not the brewers first dabble into indie music. “When the band approached me to collaborate on a beer I invited them down to the brewery to have a taste of some beers and throw around some ideas" stated Barney, the man behind the brewery.
The beer will be available in Scotland as part of a limited edition batch; 1250 bottles sold at independent beer and wine shops, as well as available on cask for a limited time; to coincide with the launch. To mark the launch, the band are having a party on Friday 6th Feb in Summerhall, Edinburgh where the beer will be available, plus an exclusive playback of Everything Ever Written followed by a DJ set from the band. Tickets are free and available here.
The bottles will also feature a QR code that will provide access to a free download of a special acoustic performance of one of the band’s earliest and best loved tracks A Film For The Future from their album Hope Is Important.
Without doubt Idlewild are one of my favourite ever Scottish bands, and clearly the blog/radio show/podcast owe a debt to the band for the name Scottish Fiction which is also one of my favourite songs. Keep an eye on the blog for a review of the band's new album popping up, and you can check out the band's lasted single below.
Tuesday, 27 January 2015
Blog favourite Michael Cassidy returns to Scottish Fiction as our session guest for a record 4th time, ahead of the release of his debut album My Electric Heart on Monday 2nd February, a sentence which gives me a great deal of delight having waited for it's release to close on two and a half years.
These two tracks, My Electric Heart and Montpelier, were recorded at Pulse 98.4, exclusively for the Scottish Fiction blog. To hear further session tracks and an interview listen back to the full radio show here.
Michael Cassidy plays The Griffin, Glasgow on 31st January 2015, launching his debut album My Electric Heart. Tickets are still available here.
In a style quite befitting of his title, Glasgow-based producer Turtle (aka Jon Cooper) has surfed into 2015 atop a wave of growing interest.
Last year's Who Knows EP, a curiously compelling marriage of ambient electronica and oddball chamber-pop, whilst turning the collective head in his direction asked more questions than it gave answers. If anything, current release Lavender serves to bolster this mercurial stock. By the end of the opening minute Cooper has reasserted his adeptness in the art of subtle misdirection, as grandiose organ-based bellowing is gradually undercut by shuffling percussion and a soft but serpentine bass groove. The introduction, with equal guile, of a cyclical vocal refrain means that by its conclusion Lavender has flirted with the anthemic, without losing any grip of an enigmatic restraint which by now appears to be a Turtle trademark.
Amidst a parochial preference for the overwrought and the earnest it is perhaps unsurprising that Cooper cites influences from far and wide – Iceland's Olof Arnolds and Mum among them. For those less familiar with esoteric Scandinavian electronica this reviewer is inclined to reference the more ethereal elements harnessed by early day Moby's blending of traditional and digital instrumentation. Whilst it is of course only right to apologise to Mr Cooper if such a comparison is deemed unflattering, it is also salient to remind him that Moby is doing really rather well for himself.
- Jack Wilson
Turtle - Lavender is out now via Beatnik Creative and can be purchased here or via all good online music retailers.
There is no doubt that the most recent album by Mogwai, 2014's Rave Tapes, was a success on a lot of different levels. It was an interesting turn from a band who continue to make constantly great records. It also continued a great run of releases by the band, from their 2012 album Hardcore Will Never Die But You Will, the Earth Division EP, and the Les Revenants OST. Completing a year that will rank as one of the band's most important, they releasing this six track EP, Music Industry 3, Fitness Industry 1, at the tail end of 2014..
The immediate issue with this however, being a companion to Rave Tapes, is that it's split directly down the middle - six tracks, three brand new, three remixes. This causes a thematic issue - whilst the three all new tracks are certainly worth the time of any casual fan, the remixes are primarily for fans of the band that take apart each vocoder and bass line to find meaning.
Your mileage will vary depending on which group of fan you fall into. The Blanck Mass remix of Remurdered, titled Re-Remurdered, is pulsing, bassy and certainly different, but it hollows out the dramatic tension that the original track manages to conjure, and in doing undoes the denouement that occurs later in the far superior Mogwai original. It throws almost all that is recognisable out and barrels in bleeps and ravaging basslines that makes for a strong track on the face of it but it's hard for it to reach above that of the perfect original.
The Pye Corner Audio remix of No Medicine for Regret however is pretty wonderful - and the best remix on the EP. The ethereal vibes and the time stretched production turns the original into an all new composition, reborn as what starts as a droney ambient journey, with a pulsing Field-esque sawbass coming in at the 3 minute mark, giving way to the shimmery guitar of the original track. And lastly the Nils Frahm remix of The Lord is Out of Control strips the entire song back to Frahm's signature piano lament and whilst it's pretty and fragile, like the best of Frahm's work, it sadly doesn't really make any statement.
The strength in the EP comes from the three all-new tracks. Lead single Teenage Exorcists is the kind of exciting thing that Mogwai don't do very often - vocals and a 'normal' structure. It's short, sweet, pointed, and rushes around being as loud as it ends right from the start, and you can see why it was left off Rave Tapes. It is worth the price of admission alone. I'd like to hear more Mogwai like this, but perhaps an album of it might wear me out. History Day however sounds like Mogwai doing their recent Mogwai thing, appearing more like a Hardcore... composition rather than Rave Tapes.
HMP Shaun William Ryder, which continues the tradition of instant classic Mogwai track titles, is another strong cut from the band, rising into the fuzz of distortion that was actually missing from the majority of Rave Tapes. It actually calls back to early Mogwai too, with it's quiet-loud dynamic, with the final stretch of the track sounding like a condensed version of Mogwai Fear Satan, which is absolutely no bad thing.
As a standalone release Music Industry 3, Fitness Industry 1 is uneven to say the least. Front heavy with two great and one good Mogwai track, with one interesting remix and two slightly curious but ultimately unnecessary ones.
- Mark Shields
Mogwai - Music Industry 3, Fitness Industry 1 is out now via Rock Action Records and is available here.
Monday, 26 January 2015
Ahead of the official announcement of the Scottish BAMS Award 2014 winner (full BAMS Award post here), I caught up with James Graham from The Twilight Sad in Mono, Glasgow to present the band's award and chat about the year the band have just had. Here is that interview in full.
Congratulations, Nobody Wants To Be Here, Nobody Wants To Leave is this years' winners of the Scottish BAMS award! How does it feel?
James – Really good. I think I found out last week, and I told my Dad right away. He was like, “well done son!”
No it’s great. I’ve said a few times that last year was a big year for us, and to have released the record that we’ve released and to have got the reception that it’s got has been a massive thing for us. I don’t want to be melodramatic and say it’s saved the band, but it kind of has in a way. When you release something you don’t really know [how it will be received]. You can like it as much as you want, but ultimately in the long run, people have got to like it to have any sort of success or be able to make another one. So to be voted number one for the BAMS is pretty mental for a miserable bunch of guys from Kilsyth. It’s great though. We really appreciate it, and things like this don’t happen to us all the time, so it’s really cool.
Previous winners of course include The National, The Phantom Band, Bill Wells and Aidan Moffat, and last year CHVRCHES. Good company to be amongst?
James – Aye I’m a fan of every single one of those bands and the records that won. Bill and Aidan’s record [Everything’s Getting Older] is one of my favourite albums of all time. I’ve actually heard the new one. It could be, I don’t want to say but, it might be as good if not better. He’s a dick. I text him when I was listening to it, and I was like, “it’s amazing, you’re a prick, I hate you, you’re a genius.”
It’s great though, those bands are bands we aspire to be like. And to be in that company is phenomenal. To be in the position where we are mentioned in the same breath as those artists; 16-year old James would have told you to fuck off! So aye it’s nice. It’s been a good year for once. Don’t worry we’re not going to write a happy album after it!
2014 seems to have been a pretty exciting year for the band, what's been your personal highlights of the year?
James – The first thing would be in January, we put out The Twilight Sad Live at Paisley Abbey with The Royal Scottish National Orchestra. We released that for free in January whilst we were recording, and it showed the band in a different light. I don’t think anyone ever expected to hear any of our songs with an 80-piece orchestra. The complaint that we got from that was that people didn’t have to pay for it! It would be really nice if we could release it [as a physical release] at some point, but as far as royalties go, if you are selling a record and having to pay 83 musicians, it is pretty impossible!
And then we re-issued our first record [Fourteen Autumns & Fifteen Winters], and we toured that as well. Just because it wasn’t available on vinyl anymore, and we had the demos as well. We just wanted to make a package of that. I think it was a nice way to remind people about the band and that record, maybe reintroduce the band to people and introduce that record to people who had never heard it before. I think it’s still a pretty special record.
And then there was Primavera, which was probably one of the best weekend we’ve ever had as a band. We played two gigs. One at the festival as the sun was going down looking over the sea. And then one at the park in Barcalona the next day, which was maybe just as good if not better. It was a free gig and we played a stripped back set. And there were rainclouds above us, and it looked like it was going to rain, and there was no cover over the stage so we couldn’t have played if it rained. But it just held off and the park was full of people. That will be a thing we’ll never forget. It was a great moment for the band. And T in the Park was really good for us this year.
And then it was the record release and touring America. Then the ABC show at the end of the year. That was a big highlight. Just seeing that many people in the one room that wanted to see us. I never expected those kind of things to happen for our band, so for it to happen, that’s twice now we’ve done it, I think it was a pretty overwhelming at points. Oh aye and Hogmanay. That was a good way to end off the year, playing with fireworks going off in the background.
So it’s been busy. And if you are busy then things are going alright. We are a band that works, and as a band we want to work as long as we can. So they were the highlights, but there was loads of wee things that happened in between that were great as well. I think just getting to release our fourth record. I never thought we’d get to four records, so that is an accomplishment in itself.
When you'd finished recording the album, how did it match up to your expectations?
James - It’s just another stage, it’s who we were in our lives, that’s what it was. I’m enjoying playing them [the new songs] live. It’s now a case of what do we leave out, instead of in the past we’ve not got enough songs. Now we have to leave songs out and we want to play the full record, which shows you how much we like the record. I think we can all look back on it and say we did a good job.
Are you now looking at how you can re-interpret the new songs for live shows?
James – We perform the songs differently and there’s different ways of doing it. I mean you’ve got the live full band which is the main focus of what we do. And that will be like the album in some ways, but I think it’s a little more intense, and a bit noisier than it is on records. But that’s been the same with all of our albums to be honest. As far as Andy, Mark and I, playing the acoustic, stripped back, three piece sets, we’ve adapted most of the songs on the record to be played like that as well. We had a Tour EP out last year which was only available on tour, and that’s songs from the new record, just stripped completely back. And I think for anyone who likes the record it’s a nice side release to see how the songs started out to going to what they are after that. And we are possibly looking to put that together in some sort of package with the record as well. We like to show different sides to the songs, but even though we are about to do an acoustic in-store tour, the main focus at this point is the five piece full band.
How important do you feel that the support of music blogs has been to the band?
James – I think it’s been, and I’m not just saying this, it’s probably been one of the most important things for our band. When we started out, it was blogs and things like that that helped spread the word about our music. And through every release we’ve had we’ve constantly had that support. We’re not a band that is on the front of magazines or in big features, and in some ways I like that. I mean if that comes along, then that comes along and that’s great. But the best thing about it, is that it’s the actual real genuine people who are writing about music because they give a fuck about it, that are actually writing about our band and spreading the word about our band. And I think that’s a pretty cool thing to have that kind of support.
And it’s something that I hope people see that we appreciate and don’t take for granted, because I’d like to keep that relationship going. If people keep liking our music, then we’d like to move forward with everyone and at the same time promote the blogs. And if we do that then maybe someone discovers a blog through our music. It’s a two way thing. If we promote the blogs, you get more readers who will then can discover another new band who you are promoting. And it’s all about getting people to listen to new music and music that’s good instead of the usual shite. We are really appreciative that we have that support, because the main goal for us is to reach as many people as we can and without that support we wouldn’t have reached as many people as we have at this point.
And finally, what has been your favourite album of 2014?
James – I had quite a few actually. I’m obviously a massive Mogwai fan, so Rave Tapes was always going to be on that list. I really liked Perfume Genius’ album, Too Bright, I found that really interesting. Angel Olson, her record with the long song title [Burn Your Fire for No Witness], which is ironic because I can’t slag anyone for that as we have the longest going. I liked Alvvays. I only got into the Alvvays record at the end of the year. It was one of those ones where people had been talking about it, and I saw their name about, but I purposely avoided it, but then I listened to it and it was great.
The Phantom Band’s record [Strange Friend] was really good. Remember Remember’s record, Forgetting The Present, that was really good record. There was quite a lot last year. I saw a few people saying it wasn’t that great a year for music, but I probably listened to more than I had in a while. I listened to The War on Drugs [Lost In the Dream] that was great record. Sharon Van Etten, I like that.
As for the rest of the band, Andy doesn’t listen to new music at all! He’s going back the way. He’s listening to old ‘60’s bands and stuff like that. Which is pretty cool, it’s a good contrast. He still does listen out for the new stuff, but he is neither here nor there about it. Although Andy really liked the Shellac record [Dude Incredible]. He’s really likes going back the way and finding old songs. We meet in the middle and he always recommends stuff and I usually like what he likes. That’s how I got introduced to most of the bands I like. I went to school with Andy and he kept on giving me albums, and that’s how we’re pals and that’s how I am where I am. Thanks to that prick! He’s got much better taste in music than I have, I fully admit that.
Devine listens to Britpop I’m pretty sure all the time! If there was a quiz subject and Britpop came up, Devine would win it hands down. But Devine does have good taste in music as well. I actually don’t know what he listened to last year. Think we were too busy having our headphones on and not talking to each other!
Johnny,who plays bass, he’s into some of the same stuff as I’m into it. But then I can hear him in the van and it just sounds like it’s pure death metal that’s just coming through his headphones. He’s one of these guys who looks so chilled out, but it’s like ‘drrrrrrrrrrr’ double kicks going in his head, and he’s just staring out the window. And Brendan, who plays keys, he’s kind of the same as me. He and I talk about new releases more than probably anyone in the band.
The Scottish Blogs and Music Site Awards return for another year with the polls closed and all the votes counted. Voted for by 37 writers from 26 different blogs and music sites, there were an incredible 192 different albums nominated, with each BAM asked to nominate their favourite ten albums; 20 points assigned to the number 1 choice and downwards in a descending nature until only 2 points are assigned to the number 10 choice. There can, however, only be one winner.
The Twilight Sad’s fourth album, Nobody Wants to Be Here and Nobody Wants to Leave has emerged as the winner of the sixth annual poll pipping Rave Tapes by Scottish indie veterans Mogwai in a straight head to head shoot-out between the top two albums. The Sad's cause was helped by the fact that 16 BAMS selected Nobody Wants To Be Here and Nobody Wants to Leave in their top 10. Inaugural winners The Phantom Band again had a strong showing with third LP Strange Friend finishing in third spot ahead of the fast closing Withered Hand, whose New Gods squeezed into fourth ahead of the self-titled debut from Honeyblood in fifth. Scottish acts filled the BAMS’ top 7 slots; Young Father's Dead in 6th spot and Jonnie Common Trapped in Amber at number 7; with St Vincent the top international act in eighth place ahead of Caribou in 9th. The Amazing Snakeheads filled the top ten in 10th position. Here's the full BAMS Top 30 list:
1. The Twilight Sad - Nobody Wants To Be Here And Nobody Wants To Leave - 239 points
2. Mogwai - Rave Tapes - 222 points
3. The Phantom Band - Strange Friend - 166 points
4. Withered Hand - New Gods - 157 points
5. Honeyblood - Honeyblood - 150 points
6. Young Fathers - DEAD - 140 points
7. Jonnie Common - Trapped in Amber - 132 points
8. St. Vincent - St Vincent - 104 points
9. Caribou - Our Love - 102 points
10. The Amazing Snakeheads - Amphetamine Ballads - 94 points
11. The War on Drugs - Lost in the Dream - 90 points
12. King Creosote - From Scotland with Love - 87 points
13. Bastard Mountain - Farewell, Bastard Mountain - 83 points
14. We Were Promised Jetpacks - Unravelling - 78 points
15. Fatherson - I Am An Island - 75 points
16. PAWS - Youth Culture Forever - 70 points
17. Randolph's Leap - Clumsy Knot - 64 points
18. Stanley Odd - A Thing Brand New - 60 points
19. Call To Mind - The Winter Is White - 59 points
20. Swans - To Be Kind - 48 points
21. Run The Jewels - Run The Jewels 2 - 46 points
22. Machines In Heaven - bordersbreakdown - 44 points
23. Ought - More Than Any Other Day - 43 points
24. The Last Battle - Lay Your Burden Down - 42 points
25. Sun Kil Moon - Benji - 40 points
26. Aphex Twin - Syro - 37 points
=27. Beerjacket - Darling Darkness - 36 points
=27. Martha - Courting Strong - 36 points
29. Taylor Swift - 1989 - 35 points
30. Warpaint - Warpaint - 32 points
The Twilight Sad frontman, James Graham reflected on the band’s success, when I caught up with him earlier last week at Mono in Glasgow.
Congratulations, Nobody Wants To Be Here, Nobody Wants To Leave is this years' winner of the Scottish BAMS Award! How does it feel?
James - "Really good. I think I found out last week, and I told my Dad right away. He was like, "well done son!'"
"I've said a few times that last year was a big year for us, and to have released the record that we've released and to have got the reception that it’s got has been a massive thing for us."
"I don’t want to be melodramatic and say it’s saved the band, but it kind of has in a way. When you release something you don’t really know [how it will be received]. You can like it as much as you want, but ultimately in the long run, people have got to like it to have any sort of success or be able to make another one. So to be voted number one for the BAMS is pretty mental for a miserable bunch of guys from Kilsyth. It’s great though. We really appreciate it, and things like this don’t happen to us all the time, so it’s really cool."
Previous winners of course include The National, The Phantom Band, Bill Wells and Aidan Moffat, and last year's winner CHVRCHES. Good company to be amongst.
James - "Aye I’m a fan of every single one of those bands and the records that won. Bill and Aidan's record [Everything’s Getting Older] is one of my favourite albums of all time."
"It's great though, those bands are bands we aspire to be like. And to be in that company is phenomenal. To be in the position where we are mentioned in the same breath as those artists; 16-year old James would have told you to fuck off. So aye it’s nice. It’s been a good year for once. Don’t worry we’re not going to write a happy album after it!"
When you'd finished recording the album, how did it match up to your expectations?
James - "It's just another stage, it's who we were in our lives, that’s what it was. I'm enjoying playing them [the new songs] live. It's now a case of what do we leave out, instead of in the past we’ve not got enough songs. Now we have to leave songs out and we want to play the full record, which shows you how much we like the record. I think we can all look back on it and say we did a good job."
How important do you feel that the support of music blogs has been to the band?
James - "I think it's been, and I’m not just saying this, it's probably been one of the most important things for our band. When we started out, it was blogs and things like that that helped spread the word about our music. And through every release we've had we’ve constantly had that support. We're not a band that is on the front of magazines or in big features, and in some ways I like that. I mean if that comes along, then that comes along and that’s great. But the best thing about it, is that it's the actual real genuine people who are writing about music because they give a fuck about it, that are actually writing about our band and spreading the word about our band. And I think that’s a pretty cool thing to have that kind of support."
And finally, what has been your favourite album of 2014?
James - "I had quite a few actually. I'm obviously a massive Mogwai fan, so Rave Tapes was always going to be on that list. I really liked Perfume Genius' album, Too Bright, I found that really interesting. Angel Olson, her record with the long song title [Burn Your Fire for No Witness], which is ironic because I can’t slag anyone for that as we have the longest going. I liked Alvvays. I only got into the Alvvays record at the end of the year. It was one of those ones where people had been talking about it, and I saw their name about, but I purposely avoided it, but then I listened to it and it was great."
"The Phantom Band's record [Strange Friend] was really good. Remember Remember's record, Forgetting The Present, that was really good record. I listened to The War on Drugs [Lost In the Dream] that was great record. Sharon Van Etten, I like that."
"There was quite a lot last year. I saw a few people saying it wasn’t that great a year for music, but I probably listened to more than I had in a while."
- For the full interview with James, check out our post here.
So congratulations to The Twilight Sad for winning this year's Scottish BAMS Award. As always the BAMS Award captures the pulse of music in Scotland during the previous year, and I'm sure you can count on the forthcoming SAY Award long list nominations to include many of the albums listed above. Most importantly though, the BAMS Award is about promoting and showcasing the music that bloggers and music writers have been loving, so please go and listen to; and buy; as many of the above albums as you can. They are all fantastic in their own way. If you are interested in such things you can see how Scottish Fiction voted by checking out our Top 20 Scottish Albums of 2014.
BAMS facts in 2014:
37 writers voted for 192 albums (3 less voters than 2013 but 28 extra albums!)
53 albums received more than 1 vote (66 in 2013).
27 different albums received first preference votes (28 in 2013)
Ten albums received multiple first preference votes in 2014 (compared to 5 in 2013).
The bands who received more than 1 first preference vote were: The Twilight Sad, Withered Hand (3), The Phantom Band, Caribou, The Amazing Snakeheads, Bastard Mountain, Randolph’s Leap, Sun Kil Moon (2)
The highest placed album without a first preference vote was #7 - Jonnie Common – Trapped In Amber.
11 albums with first preference votes didn’t receive any other votes (8 in 2013) although Sun Kil Moon received only 2 votes – both first preferences!
Previous BAMS winners:
2009 - The Phantom Band - The Wants
2010 - The National - High Violet
2011 - Bill Wells & Aidan Moffat - Everything's Getting Older
2012 - Meursault - Something for the Weakened
2013 – CHVRCHES - The Bones Of What You Believe
The 2014 BAMS were:
Honorary Head BAM - Lloyd (Peenko)
Chief BAMS - Neil (Scottish Fiction), Mike (Manic Pop Thrills), Jamie (Netsounds Unsigned), Stuart (Is This Music?), and Al (Houdi)
Contributing BAMS - Bluesbunny, Jim Gellatly, Almost Predictable. Almost, Vic Galloway, Detour Scotland, The Spill, The Steinberg Principle, Haiver, For Malcontents, Last Year’s Girl, Tenement TV, Dear Scotland, Marion Scott, 17 Seconds, Alan Morrison (The Herald), Through The Wire, Post Nothing, Podcart, Everything Flows, Avalanche, Elba Sessions, La Terrasse, Edinburgh Man, The Skinny, Alive & Amplified, Song, By Toad, The Pop Cop